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課程名稱 |
流行音樂研究
STUDYING POPULAR MUSIC |
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開課學期 |
99-1 |
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授課對象 |
文學院 音樂學研究所 |
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授課教師 |
陳峙維 |
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課號 |
Music5079 |
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課程識別碼 |
144 U1070 |
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班次 |
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學分 |
3 |
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全/半年 |
半年 |
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必/選修 |
選修 |
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上課時間 |
星期三6,7,8(13:20~16:20) |
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上課地點 |
樂學館105 |
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備註 |
本課程中文授課,使用英文教科書。本課程中文授課,使用英文教科書。本所文化核心課程
限學士班三年級以上
總人數上限：15人 |
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Ceiba 課程網頁 |
http://ceiba.ntu.edu.tw/991pm |
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課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
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課程大綱
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為確保您我的權利,請尊重智慧財產權及不得非法影印
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課程概述 |
In this proseminar course we are to approach popular music from a variety of perspectives by exploring major issues addressed and methodologies used in the study of popular music. The course is delivered through a combination of lectures and seminars. While in the former key issues, concepts and theories will be identified, in the latter students will discuss ideas and engage in debates arising from the lectures and the required readings. |
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課程目標 |
Through discussions on key concepts and terms of popular music, this course is intended to equip students with conceptual tools for studying and to provoke further debate on popular music and its culture. |
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課程要求 |
Readings for this course are drawn from a range of disciplines, such as musicology, sociology, communications, cultural studies, political science, economics and music journalism. After reading and reflecting on literature on Anglo-American and international music industry, students are encouraged to bring in their own observations on the domestic (Taiwanese) and the regional (Chinese-speaking and Asian) markets for analysis and further discussion. |
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預期每週課後學習時數 |
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Office Hours |
每週四 10:00~12:00 |
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指定閱讀 |
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參考書目 |
Brackett, David, Interpreting Popular Music (Berkeley and Los Angeles: University of California Press, 2000).
Frith, Simon, Performing Rites: On the Value of Popular Music (Cambridge, Mass.: Harvard University Press, 1996)
Horner, Bruce and Thomas Swiss (eds), Key Terms in Popular Music and Culture (Malden, Mass.: Blackwell, 1999)
Middleton, Richard, Studying Popular Music (Philadelphia: Open University Press, 1990).
Negus, Keith, Producing Pop: Culture and Conflict in the Popular Music Industry (London: Arnold, 1992).
Storey, John, An Introductory Guide to Cultural Theory and Popular Culture (Athens: University of Georgia Press, 1993). |
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評量方式
(僅供參考) |
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No. |
項目 |
百分比 |
說明 |
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1. |
口頭報告 |
20% |
第十六、十七週（是否增加第十八週，視最後修課人數而定）進行個人研究計畫口頭報告。 |
2. |
書面報告 |
40% |
自行選定與課程涵蓋議題相關的題目，與授課教師討論後進行。第八週繳交一頁研究計畫大綱，第十四週繳交研究執行進度報告，完整書面報告於學期結束前繳交。 |
3. |
心得寫作 |
20% |
任選一篇同儕審查 (peer-reviewed) 之期刊文章，針對其研究方法、結果、意義，撰寫心得一篇。 |
4. |
課程參與 |
20% |
包括課堂討論參與、指定閱讀材料領讀。 |
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週次 |
日期 |
單元主題 |
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第1週 |
9/15 |
Introduction |
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第2週 |
9/22 |
中秋節 放假 |
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第3週 |
9/29 |
On defining popular music |
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第4週 |
10/06 |
Studying popular music |
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第5週 |
10/13 |
Making money out of music |
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第6週 |
10/20 |
Creation and sale of ‘rights’ |
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第7週 |
10/27 |
Production and marketing |
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第8週 |
11/03 |
Technology |
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第9週 |
11/10 |
Genre |
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第10週 |
11/17 |
Form and text |
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第11週 |
11/24 |
Performance |
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第12週 |
12/01 |
Audience and taste |
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第13週 |
12/08 |
Popular music and media |
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第14週 |
12/15 |
Globalisation |
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第15週 |
12/22 |
Pop and ‘others’ |
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第16週 |
12/29 |
Students’ presentation (i) |
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第17週 |
01/05 |
Students’ presentation (ii) |
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第18週 |
01/12 |
Examination week (term paper due by midnight 01/14) |
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